Ship Shapes: The Ed Monk Sr. Ships Plans Collection

This post was first published on Inside Passage, the blog of the Puget Sound Maritime Historical Society.

Grant funding from King County 4Culture has allowed us to plunge into the daunting task of preserving and cataloging the remarkable Ed Monk Sr. collection of ships plans. In this essay we'll revisit the man with the plans.

Ed Monk Sr., circa 1967.

In 2014 Puget Sound Maritime Historical Society accepted a large collection of drawings, documents, photos, and artifacts related to the work of renowned naval architect Edwin Monk (1894-1973) from his family. Monk was a designer and builder of boats large and small, pleasure and commercial. His vessels are familiar to mariners all along the Pacific Coast. The collection is an invaluable resource to those fortunate enough to own a Monk-designed boat, as well as to all interested in the history of boat design. We would like to thank Ed Monk, Jr., son of the shipbuilder, for arranging the donation of this collection to PSMHS.

Ed Monk at his National Building Office, circa 1967

Edwin Monk began his career as a shipbuilding apprentice in 1914, working with his father who was a shipwright in the Puget Sound area. He built the first boat of his own design in the backyard of his Seattle home. While working at the Blanchard Boatyard on Lake Union, Monk had the opportunity to meet the legendary naval architect Ted Geary. In 1926 Geary hired Monk as a draftsman. When Geary decided to move closer to lucrative prospects in California, Monk joined him there, taking his young family to Long Beach for two years.

Around 1934 Monk returned to the Pacific Northwest and designed and built the 50-foot live-aboard cruiser Nan. Moored at the Seattle Yacht Club, the boat became both his office and home for his family for six years. A few years later he moved his work space into a small corner of the Grandy Boat Company and later to an office at on Westlake Avenue.

In 1947 Monk, joined by fellow naval architect Lorne Garden, moved to the National Building near Colman Dock. From here he commuted to his home at Hidden Cove on Bainbridge Island. After an illustrious career, Monk died in 1973 at the age of 79.

The Monk Collection includes over 2,000 individual vessel designs on over 7,000 pages. In addition we have been given several of Ed Monk’s half-hull ship models, his drafting curves, and his shop sign. His photograph collection, which chronicles the construction of his ships, is currently being cataloged for accession. 

Remembering the Man and his Boats

The acquisition of the Monk Collection inspired us to learn more about the man and his world. We conducted oral history interviews with his daughter, Isabel Van Valey, and with his niece-by-marriage and one-time secretary, Doris Colbert. These personal accounts supplement the great information in the book Ed Monk and the Tradition of Classic Boats by Bet Oliver (1998). Transcripts of the interviews may be viewed by arrangement at the PSMHS office.

Isabel Val Valey in her home overlooking Rich Passage.

Isabel Van Valey, Monk's daughter, recalls excursions on the Ann Saunders, the first boat Ed Monk built for himself.

The boat was a typical…I think what they call a dreamboat design…and it was kind of like a shoe, with a hull and a cabin that came up….It reminded you of a shoe. And the cockpit had a nice, big long seat on it, so we could sit on it. He was very, very cautious about us not falling overboard, and so when we went through the locks or there was any bad weather we were tied. It didn’t bother me at all, but it bothered my sister terribly. She was older and she would sit on the ropes, because she didn’t want anyone to see her. [laughs] The life jackets those days were just great big bulky pieces of cork, and this was much simpler for us.

Going through the locks was the most interesting. Mother would take the bow line and Dad would take the stern line because he was near the wheel, and we would have to sit in the back on our ropes. This lady once said, “Oh, look at those poor children tied up like dogs!” And my mother was very indignant and said “I’d rather have them tied like dogs than drowned!”

That was my earliest memory [of the boat], and I remember a big electric storm with thunder and lightning bolts while we were crossing in the boat. And I think that’s why I don’t like thunder and lightning now.

Monk's plan for a troller

Another memorable Monk boat was the Nan, the family's home for several years.

Well, it was a live-aboard. It was designed especially for us. My sister and I had a stateroom and my parents had the back stateroom and our living room was the pilot house, which eventually [had] an office in one corner. And the galley was down below on the bow. Mother didn’t like it down there because she couldn’t see where we were going or what we were doing, and I think that was one reason why Dad was inspired to move the galleys up to the pilot house.

Doris Colbert recalled working with Monk during World War II:

When I started to work for him he was called up by the army to make a trip up to Alaska to design flat-bottomed boats for the rivers up there because the United States government was putting in the Alcan [Alaskan-Canadian] Highway. And so they needed these flat bottomed boats to cross the rivers. This is what he designed. At that particular time it was mostly work for the government, but there were times when he did fishing boats, too, because we had to feed the troops and Seattle was a port of embarkation. 

Embarking on a Voyage of Preservation

The Monk plans, photos, and objects, while well organized, require proper archival storage and cataloging. It is a big job! UW Information School students Jodi Myers and Suzanne LeDoux have laid the groundwork for us by formally assessing the collection and estimating the resources (time, money, personnel) required to complete conservation. They also drafted a user guide for staff and volunteers working on the conservation project.

PSMHS volunteer John Kelly has helped curate the Puget Sound Maritime ships plans collections for years. 

Cultural resource specialist Katherine Kidwell has been working with PSMHS staff and volunteers since January of this year to place the ships plans into archivally safe storage and entering detailed information about each hand-drawn page into our PastPerfect database. A great deal of work remains to be done, but we are pleased to have set sail on this exciting voyage!

Katherine Kidwell shows us how the Monk ship plans are stored.

--John Kelly and Eleanor Boba contributed to this post. Special thanks to King County 4Culture for funding this important preservation project.