Monday, November 6, 2017

Backtracks

This will be a post devoted to a personal challenge of mine: a journey to visit and document sites and artifacts connected with the age of exploration (writ small to encompass anything I want it to). Along the way perhaps we will solve the ultimate historical question: who discovered america (again, writ small so that I can include everything from Hawaii to Newfoundland)?

Note that some of the connections I present here are very loose; some may not exist at all. It's all about the journey!

Let's start with ICELAND!




Leif the Lucky Bridge

The bridge between continents. Specifically, the bridge represents a link between the Eurasian and North American techtonic plates, so that you can walk from one continent to another. Sort of.



Skalholt




Skalholt, in Iceland's southern region, from a distance looks like a fairy tale village. The religious settlement has been in existence since at least the 11th century. 





The modern cathedral church is built on the site of several earlier versions and over a medieval crypt which currently serves as a museum. It's cool! A secret passageway (below) leads from the crypt outdoors to the site of the old ecclesiastical school. The tunnel may have had a variety of uses, including quick ingress or egress during rough times. (Skalholt is famous as the site of a violent and dramatic event in 1550 when the last Catholic bishop from Iceland's north was beheaded along with his two sons. A memorial a few steps from the current church marks the spot.)





Some of the remnants of the ecclesiastical school, dormitories, and store roooms uncovered by archaeologists immediately adjacent to the church.



An 18th century diagram of the Skalholt ecclesiastical community.



The tunnel exit.


Monument to the martyred bishop Jon Arason and his sons, executed in 1550. It's a long story.






A recreation of a sod church at Skalholt.



Skalholt's connection to our project is the Skalholt Map, a 16th century resident scholar's attempt to make geographic sense of the Norse sagas and other sources describing the voyages to Vinland. Unlike some other maps, the Skalholt Map is considered geniune, although only copies exist today. This map pinpoints Vinland (Promotorium Winlandia) at what most scholars believe is Newfoundland.



Lagerbrekke





A windswept spot on the Icelandic Coast, as they all are, on the Snaefellness Peninsula features a monument to the remarkable woman, Gudridur Thorbjarnardottir, the sister-in-law of Leif Erickson and the mother of the first European child born in the New World, Snorri. Probably. Both are depicted in a Viking ship in this small statue.


Detail of above.



Lava rock walls frame the monument.



Eiriksstadir

We visited the archaeological site Eiriksstadir where one can see remnants of structures built by Erik the Red, father of Leif Erikson, as well as re-created longhouse.


The view down to the fjord from Eiriksstadir, "Erik's Homestead, at Haukadel, "Hawk Valley," which is also the name of the lake.


Inside Eiriksstadir, a recreation of a Viking longhouse spitting distance from the footprint of the house built and occupied by Erik the Red. It is likely that Lief was born at this place, about AD 974, before the family decamped for Breidafjord and, later, Greenland.


The firepit.


A knowledgeable and entertaining costumed interpreter gives us the low-down. We agree to meet at L'anse aux-Meadows.





Monument to Leifur Eiriksson.


Plan of the archaeological site, and, below, my husband photographs something in the weeds.





The sod house recreation of Eiriksstadir



Frambudir


Talk about "remnants!" A wide spot on a little-trodden trail along the cliffs at Budir features traces of old fishing huts. Frambudir was a seasonal fishing station dating back to medieval times. The whole area around Budir is pockmarked with old ruins and pits. Watch your step! The lush landscape of wildflowers easily disguises them.

And on to Hawaii!


Like Iceland, Oahu is a volcanic island with plenty of lava for building walls. Pu'u o Mahuka Heiau, the remnants of a 17th century temple. Reportedly, two or three of George Vancouver's men were killed here in 1794, possibly as human sacrifices. 


Locals still make offerings at the shrine.


Regulars.


A recreated voyaging canoe, Hokule'a, has established a strong possibility that Polynesians sailed to the Hawaiian Islands possibly as early as 1500 years ago -- and perhaps farther? 


Model of a voyaging canoe in the Bishop Museum, Honolulu. This modern model was inspired by Hokule'a.


The real Hokule'a, sails furled, as close as we could get on a grey day, at the Marine Education Training Center in Honolulu.

Newfoundland: In the steps of Leif



We make it to L'Anse aux Meadows. This was the end goal of our trip to Newfoundland in July 2018. L'Anse sits on the northern tip of this island. There is good evidence to support the theory that this was the site of Leif Erikson's Vinland, as detailed in the Icelandic sagas. While some still dispute this, the government of Canada found enough proof in the archaeological site uncovered in the early 1960s to create a national park here, complete with replica buildings. 


The recreated forge which, in reality, stood some distance away from the collection of sod huts.





"Workshop/Atelier"


Depressions in the earth indicate the site of structures dating to the early 11th century.


L'Anse aux Meadows sits adjacent to a not particularly sheltered bay of the Gulf of St. Lawrence. For the Norse,  who navigated by sight, it was more important that they be able to spot the settlement from the sea than that they be protected from storms.


"Dwelling and wood working"


"Dwelling, ship repair, and iron forging"



Leif is honored with a statue on the seashore a few kilometers from L'Anse.




Imagine our surprise, upon reading the plaque, to find that this statue is a replica of one on Seattle's Shilshole Bay and donated to the citizens of Newfoundland by a group of Seattleites! The plaque, pictured below, lists The Swedish Club of Seattle, David Johnson of Seattle, and various Sons of Norway.


All photos in this bit: Alan Humphrey.



The original Leif Statue, Shilshole Bay, Seattle. Replicas were provided to L'Anse aux Meadows, Trondheim, Norway, and Brattahlid, Greenland, all places associated with Leif the Lucky.



I love the Norse-inspired etchings of the Seattle monument.












Saturday, November 4, 2017

Deep Focus, Part I: The Joe Williamson Photographic Collection

Joe Williamson: sailor, photographer and collector. 
Photo, circa 1940; photographer unknown.

This essay first appeared on Inside Passage, the blog of the Puget Sound Maritime Historical Society. Part II is here.

Joe Williamson is a name often associated with the photographs of the Puget Sound Maritime Collection, but who was Joe, what is his collection, and how did it transform the Puget Sound Maritime Historical Society?

Wikipedia labels Joe “Sailor and Photographer.” In his lifetime, much of it spent on the water, Williamson documented a wide swath of Northwest history with his camera, yet he does not garner the name recognition of Darius Kinsey, Joseph Scaylea, or the Curtis brothers. Perhaps this is because he himself did not consider photography his primary vocation. Photography was the means to an end and that end was spending as much time as possible on and around boats.

In his lifetime Williamson did everything from delivering photo orders by motorcycle for Bartell Drugs to running a darkroom to patrolling for fish pirates off the coast of Alaska. He traveled throughout the Northwest, wherever water could take him. And he took a lot of photos. In later days, he held court at a small photography shop close to the Seattle waterfront.

We’ll have more on Williamson’s storied and multifaceted career in future posts. Today we will focus on his photo collection and what became of it.


CHALLENGE

Joe collected maritime images and by the time of his retirement had amassed a collection of more than 60,000 prints and negatives. Exact numbers are hard to obtain, but it appears that about half the collection consists of photos Williamson took himself and the other half is made up of images purchased from other photographers or outlets. The sum includes 3,000 glass plate negatives acquired from the Webster & Stevens commercial photography company. A number of the images in the collection date to the late 19th century.

Williamson was aware of the value of his collection. In fact, he had set himself a very specific dual life-goal: to document maritime life and to build an asset that would serve to help fund his retirement. In 1979, at the age of 70, he offered the entire collection up for sale. The asking price: $50,000 ($163,000 in today’s dollars.) The San Francisco Maritime Museum was quick to make an offer, but Williamson hoped to conclude a sale with Puget Sound Maritime Historical Society, the organization he had helped found in 1948.

Board vice president (soon to be president) Jim Cole remembers vowing aloud that the collection would not leave Puget Sound. The board had had enough of the better funded and more pro-active San Francisco Maritime Museum cherry-picking maritime artifacts from their backyard. Cole soon realized that his statement meant he was volunteering to lead the effort to raise the funds needed.

For the first time in the life of the Society the board jumped into the deep waters of fundraising to raise the $50,000 purchase price. Because of his close personal association with the group, Williamson allowed the group a year to reach this goal. Led by Cole, the board reached out to their membership and beyond, contacting old friends in the maritime trades and sending letters to businesses and foundations in the area.

Jim Cole remembers the challenge:

We talked about how we were going to do this. I had never done this kind of thing. We did send letters out. There was a lot of word of mouth activity. My late wife, Myrna, typed 180 letters to companies here.

A promise of $5,000 from H.W. McCurdy lent impetus to a campaign that was slow gaining momentum. Several companies made sizable donations, but the vast majority of the 476 gifts received came from individuals. It took nearly the entire year, but the group made their goal with enough to spare to purchase filing cabinets to house the collection.



Williamson's photo of a "Tugboat Annie" race, probably the 1940 event in Tacoma Harbor held in conjunction with the premier of the second Tugboat Annie movie, Tugboat Annie Sails Again.

CELEBRATION

As PSMHS zeroed in on its goal in the spring of 1980, the Museum of History and Industry, the Society’s partner and home base, showcased the collection in its Maritime Gallery (aka the Joshua Green-Dwight Merrill wing). The exhibit included 60 images along with ships models and other maritime artifacts. Jim Cole recalls that the exhibit opened with ceremony:
‘Mac’ McCurdy was going to cut the ribbon and he wanted Myrna to assist him. I said I’ll talk to her. She said “No, I’m not doing that.” I reported to him, and he said “She’ll do it!” I asked her a couple more times. She still said no. Well the night of the opening Mac makes this nice speech. There was a crowd there. And then he says “I would like to ask Mrs. Cole to help me cut the ribbon,” and that woman said “I would love to!” 

TRANSFORMATION

The huge Williamson Collection became the centerpiece of the PMSHS archives, which to that date had owned only a few small photographic collections to supplement its ships plans, models, and books. Acquisition of the wide-reaching collection transformed the PSMHS archives from a little known resource to an important and recognized repository of maritime history.

It transformed the Society in other ways, as well. Collection management became more than an abstract concept. Once PSMHS had taken possession of the thousands of prints and negatives, the real work began. 

-- Eleanor Boba


Sources:  

The corporate records of the Puget Sound Maritime Historical Society; interview with Jim Cole, 2/23/15; McDonald, Lucile. “The Famous Williamson Photo Collection.” The Sea Chest Dec. 1979; Hemion, Austen. “Joe D. Williamson.” The Sea Chest June 1994; The Seattle Times Historic Archive. Special thanks to Karl House and Judy Kebbekus, PSMHS volunteers.





Treasure Trove


The community of St. Michael, c. 1906. What appears to be water is frozen harbor ice.
Photographer unknown.

The Puget Sound Maritime Historical Society recently completed digitization of a unique group of primary historical records. The "Fragmentary Records of The Custom House of St. Michael, Alaska, 1894-1917" is now available to read via computer without risk of damage to the original documents.

Why is this important? The small island Alaskan community of Fort St. Michael, once a Russian trading post, then an American military site, sat close to the mouth of the Yukon River. As such it became the port of embarkation for miners headed up the Yukon River to the gold fields during the Gold Rush of 1897, as well as smaller strikes prior. In this chaotic period of marine traffic, the Customs House was a vital player in maintaining US law and order in a remote enclave.

A number of documents salvaged from the shuttered customs house found a home at PSMHS. In the early 1960s PSMHS member William Taylor, himself a traveler on the Dawson Trail as a boy, organized the material in a bound volume and provided a detailed historic overview in order to place them in context.



The document shown is a request for information to be used in a dispute over a "seaman's wages." 

MINING THE DOCUMENTS

The correspondence and records, both typed and hand-written, offer a window into life during this frenetic period of boom and bust. In amongst the routine matters of import, export, accidents, and taxation are glimpses of human drama:

There is a plea for special assistance from a miner “since I have already been so unfortunate as to have been blown into the Yukon.”


A request to the Treasury Department for clarification of some points of maritime law relating to stranded sailors reveals the precariousness of sea life: “I have the honor to inform you that on November 30th last [1901], the Chilean steam whaler “Fearless” was blown on the rocks and wrecked at Dutch Harbor...The wreck of the vessel left the crew destitute.”

A “poor lone mother” in Ohio begs for information about her lost son: “His last letter was June 1902 and promised to be home and we received no more of since. He should have been on the General Siglin.” A hand notation on the page indicates there was no news of the boy and newspapers of the day gave the sealing schooner up for lost.


An unusual item, which may have been sent to all U.S. ports of call, is a request from the French ambassador to be on the look-out for a stolen work of art from the French town of Laguenne…”a so-called Eucharistic dove of the thirteenth century, of gilt and enameled copper, standing on an engraved copper tray hanging by four chains from a jeweled crown. The eyes of the dove are represented by gems, and the wings and tail are also set with rare stones. In the back there is a hinged opening for the introduction of the [sacramental] hosts.” An internet search easily picks up images of these religious artifacts.

It comes as little surprise that the regulation of the liquor trade commands a large share of the correspondence. Several documents relate to the request of a James Wilson to receive a permit to sell “intoxicating liquors for medicinal, mechanical and scientific purposes” at his place of business in Circle City, Alaska. The exact type of business is not specified, but it should be noted that Circle City was a distant outpost on the Yukon River populated almost exclusively by miners.


What type of medicinal liquor did Mr. Wilson propose to sell? The import permit issued at Sitka in 1896 lists the following:


200 gals whiskey


20 gals Rum


50 gals Brandy


50 gals Port wine


50 gals sherry


200 gals Claret


1 case Absinthe


1 case Chartreuse


1 case Benedictine


50 bbls Beer


5 bbls Porter


One hopes that these quantities were sufficient to last until the Klondike Stampede of 1897 turned Circle City back into a ghost town.


Others attempted less legal methods of bringing liquor to the cold country. In 1898 the Collector of Customs at St. Michael was warned by his counterpart in Sitka that “the steamship ‘Laurada’ has aboard a valuable cargo of whiskey, which it will be attempted to land unlawfully within the District of Alaska; that the bulk of the liquor is stored underneath the ship’s coal, so that great care must be taken that none of the liquor is landed over and above what appears on her manifest as ship’s stores, and in bond.”

IN THE HOLD


Digitization of a large volume is not inexpensive. We are grateful to a group of historians researching shipwrecks on the Yukon River, the S.S. Politkovsky research team, for a special donation to make this happen. PSMHS Executive Director Karen Marshall worked with the University of Washington Digital Initiatives Program to create high-quality scans of each page of the collection, including a map hand-drawn and colored by Mr. Taylor. Thanks to their efforts, Mr. Taylor’s compilation can be stored permanently within archival-quality housing while digital copies are available to view on CD-ROM.


PSMHS has over 800 cubic feet of archival materials available for scholarly and personal research, including over 60,000 maritime related photographs and negatives, including the Joe Williamson Collection, 7,000 ships’ plans, press clippings, legal and financial records of a number of maritime companies and shipbuilding firms, and detailed records of ships’ movement in and out of Puget Sound ports during the first half of the 20th century. Our holdings relate to maritime life and commerce both in Puget Sound and up and down the Pacific Coast from Alaska to California.
If you are interested in working with our collections, please contact the PSMHS office to schedule an appointment in our research center, located in Georgetown at the MOHAI Resource Center.


-- Eleanor Boba